Ça a l’air synthétique bonjour hi
Audience members are paid to perform banal tasks like folding socks or making sandwiches as the work questions the economics of participation. The second act shifts to an interrogation of affective labour as a performer conducts a confessional interview with a shrub.
Production Credits
Co-created and performed by: Burcu Emeç, Michael Martini, Nien Tzu Weng and Roxa Hy Technical directed by: Zoe Roux Object design consultant: Laura Azzalini Sound consultant: Joe Thibodeau Lighting consultant: Paul Chambers Economic consultant: Leah Temper Delegate production of: LA SERRE - arts vivants Creative residencies and development: La Chapelle Scène Contemporaines, LeParc - Milieux Institute, Playwrights’ Workshop Montréal Supported by: Conseil des arts de Montréal, RAIQ - Regroupement des arts interdisciplinaires du Québec, Canada Council for the Arts, Conseil des arts et des lettres du Québec |
Read more in PLAY: Dramaturgies of Participation: LABOUR, STRUMPET, REFUSAL, REMOTE CONTROL
Press
"Fascinating interactive show asks deep questions about the value of participation" - NOW Magazine
"an interactive performance that shakes up all conventions between audience and performer" - DF Dance
"an interactive performance that shakes up all conventions between audience and performer" - DF Dance
Awards
Winner of the OFFTA Grolsch Hybridity Award in 2018
Winner of the BAAM-CAM Bursary in New Artistic Practices in 2019
NOW Magazine: Outstanding Production, Outstanding Ensemble, Outstanding Design at SummerWorks 2019
Winner of the BAAM-CAM Bursary in New Artistic Practices in 2019
NOW Magazine: Outstanding Production, Outstanding Ensemble, Outstanding Design at SummerWorks 2019
Articles
Burcu Emeç and Michael Martini, “Ca a l’air synthétique bonjour hi,” Canadian Theatre Review 197 (Winter 2024): 34-35.